WH

ifuckinglovestvincent:

St. Vincent

Photographed by Scott Sharpe

Hopscotch Fest | Raleigh, North Carolina // 5 Sep 2014

youaskwepep:

Winnie Au

youaskwepep:

Winnie Au

Fucked Reality - Choking Victim

eatherface:

I am a loser

I am satan

I am Jesus Christ

I’m me

there are no winners in this fucked reality

black-coffee-bonus-cup:

Kevin Seconds at a Minor Threat show.

black-coffee-bonus-cup:

Kevin Seconds at a Minor Threat show.

cinemove:

Taxi Driver (1976) dir. Martin Scorsese

She appeared like an angel out of this filthy mass.

jxxshua:

down down down down

"The most subversive thing you can do with this kind of work, the most radical kind of work, is to place it in the most commercial venue. To me that’s the most exciting thing. That to me is the future. I have a novel coming out in April called A Crackup At The Race Riots, from Doubleday, and that’s Michael Crichton’s label. It’s the most fucked-up book, but to me that’s exciting. When Godard did Breathless, the reason it became influential and changed the cinematic vernacular is that it came out in a commercial context. I only think things change when they’re put out to the masses, regardless if somebody dislikes them. The Velvet Underground put out their first album, and almost nobody bought it, but everyone who did started a band that sounded just like them. For me to put it out to as many people as I can get it to is much more subversive than if you’re giving it to the same three theatres with the same crowd that always goes to see this kind of film."
- Harmony Korine (via cavedicaoemontagem)